Glenn Hardy piano logo    HARDYMUSE Productions
   Glenn Hardy, pianist, composer, improviser

   solo piano, improvised piano, chamber music, vocal and choral music   

                     

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   Welcome to Hardymuse Productions and the website of Glenn Hardy, pianist, composer, and improviser.  In these pages you'll find information about my performances, both in concert and at clubs and other venues around New England, USA.  You'll also find items for sale.  My CDs feature both composed and improvised original music for solo piano.  I presently have four CDs available at CD Baby, your online source for independent music CDs.  Other CDs are available directly from me.  I also sell sheet music of some of my compositions.  Some mp3 files are available for listening.  Look around, buy things, listen, or just say hello. I had to close the guestbook because of the inane spam messages that were showing up there, but please feel free to email me using the CONTACT link at the top of each page. Thanks for visiting.

Glenn                   

  Glenn Hardy, composer, pianist

NEWS...  My Two Pantoums for Soprano and Piano Quartet  were performed last January at the Tarrytown Music Hall, Tarrytown, NY.  Listen to both pieces by clicking here: Pantoum 1   Pantoum 2  or see the links in the MP3 listings below.

More NEWS...New MP3s at the bottom of this page...a new song for voice and piano, a recording of my
sacred song, "Hear, O Israel," and a MIDI recording of a 3 movement piece for concert band, "El Carnaval."

Still More NEWS... My newest CD, Mystic Sonata, is now available.  This is another album of solo piano improvisations from my Piano Journal.  See the CD listings below for more info.
I am sometimes asked what genre best describes the music I write and play.  Like many composers of new music, I often mix stylistic elements on an album or in a performance, or even within the same piece.  I think it's best described as hybrid music.  To me, this means that something new and vigorous...a hybrid...grows out of the selective mixing or synthesis of musical elements previously kept arbitrarily separate from one another. 

Glenn Hardy on Emusic             Glenn Hardy on RHAPSODY              Glenn Hardy on iTunes

 
 
MP3 site with downloads

I also have a page at  MySpace Music.  Click here to visit.

CDs and streaming audio files:          

  mystic sonata ... the latest installment from my piano journals.  This group was compiled from the months of August, November, and December of 2007.

3 days in may  more entries in my diary of piano improvisations...these are from May of 2007.

THE NEW DAY  More hybrid music.  With a couple of exceptions, these pieces are quiet and "reflective."  Click on the cover or the link to buy this album or to listen to the selections.

JAZZ GLENN  No blues or boogie-woogie, some ballads and standards, some originals, one weird improvisation.  Click on the cover or the link to buy or to hear the tracks.

BLUES GLENN   All blues and boogie-woogie.  No weird improvisations.  Click on the cover or the link to buy or to hear the tracks.

ennead 1  ... piano improvisations from December, 2006. One piece,  nine movements. Click on the cover to buy or to listen to the selections. 

ennead 2  More new piano music. Nine separate improvisations. Click on the cover to buy or to listen to the selections. 

                                                                                                       


cover: Glenn Hardy, Found Pianos

FOUND PIANOS ... improvisations recorded on different pianos around southeastern Connecticut.  Click on the cover to buy, listen, or read about it.                                                           


Cover: Glenn Hardy, Blue Shades BLUE SHADES is an album of blues, boogie-woogie, and related improvisations.    Click on the album cover to purchase this CD or to hear sample selections. 

Cover: Glenn Hardy, Solo Piano II: Compositions and Improvisations My second album, imaginatively titled  SOLO PIANO II,  features more of a jazz and blues influence, in addition to having a higher energy level than the first CD.  With this album, I  continue to explore the many aspects of improvisation. My goal in this exploration has been to achieve a structured type of improvisation in which all the elements are created spontaneously, but within recognizable forms. This is distinct from both traditional jazz improvisation, where players usually begin with a set tune which is then varied through the soloist's improvisations, and free improvisation, which tends to focus on the pure and/or abstract qualities of the sound itself, rather than a structured form. 

Cover: Glenn Hardy, Solo Piano: Compositions and Improvisations SOLO PIANO   was the result of my desire to perform in the studio as I perform in public: namely, alternating compositions with improvisations. While not exactly a "live" session recorded without stopping, the improvisations were unrehearsed and unedited, and most of the composed pieces were done in one or two takes.  In the eleven years since I recorded this album, I have become a better improviser and a better pianist, but there is very little I would change about this album.   Sometimes people ask if  this a classical album. There is much counterpoint and there are classical and romantic textures and forms, but since I am not attempting to explore any new ground as far as compositional technique or concepts, it cannot be considered "classical" by modern standards. It is more often called New Age. I can live with this, given that the genre has become a kind of grab bag for music that no one knows quite what to do with.  More and more musicians are mixing styles and breaking down the barriers of rigidly defined categories.  My music draws on the diverse influences of classical, jazz, blues, and what is now called American roots music and world music.

streaming audio files These are mp3s of various pieces which have not found their way onto CDs yet.
   
  1. Two Pantoums: Canons  for Soprano & Piano Quartet.  Pantoums by Margaret Hardy.  The pantoum is a Malaysian poetic form.  These pieces were performed at the Tarrytown Music Hall on January 19, 2008 by soprano Erika Sunnegardh and the New York Piano Quartet.                                                                                                                        Sunset  11:43                                                                                                                    Sunrise  9:12
   
  2. Three Dances for Flute. Mandolin, and Guitar.  These are pieces I wrote for my friend, mandolinist Joyce Balint of New York.  The other players are Stefan Hoskuldsson, flute, and GiacomoLaVita, guitar.  Recorded live in concert, Tarrytown, NY 4-2-06.
   
  3. Quartet 4 Joyce.  Same personnel as above but with the addition of harpist Susan Jolles.
   
  4. Selections from THE FOUR ARTISTS,  music by Glenn Hardy, poems by Margaret
      Hardy
          The Dancer     Phred Mileski, soprano     Glenn Hardy, piano
          The Photographer    Norman Bell, bass   Glenn Hardy, piano
          The Poet    Ben Davidson, tenor    Glenn Hardy, piano
          The Composer    Margaret Tyler, alto    Glenn Hardy, piano
   
  5.  Music for Blue Squares     Music for electronic ensemble written for an exhibition of the
  paintings of Frederic Walperswyler. Old Lyme Art Association, Old Lyme, CT  April 1994.
  ...about 16+ minutes
   
  6. First Lessons  for soprano, piano, and double-bass.  Poem by Margaret Hardy,
   music by Glenn Hardy.     Ruth Crocker, soprano     James Hunter, double-bass
     Glenn Hardy, piano
   
  7. Choreographer of Birds  for soprano and piano.  Poem by Margaret Hardy, music by
     Glenn Hardy.  Ruth Crocker, soprano     Glenn Hardy, piano
   
  8. The Most Intelligent, The Most Beautiful...  for mezzo-soprano and piano.  Poem by
     Margaret Hardy, music by Glenn Hardy.  Margaret Tyler, mezzo-soprano, Simon
     Holt, piano.
   
  9. Hear, O Israel  for mezzo-soprano and organ. Text from King James Bible
     Margaret Tyler, mezzo-soprano, Simon Holt, Organ
   
  10. El Carnaval  for (large) concert band.  This is a 3 movement piece I wrote for a
        gigantic Spanish band. It has never been performed, so I offer it here as a MIDI
        recording.  Please bear with me regarding the less-than-adequate sounds, especially
        the muted (and unmuted) trumpets.  I will redo this later with either better "virtual" band
        sounds, or, dare I imagine, a LIVE recording by some band somewhere foolish enough
        to play it.  (complete score and parts available, and a beautiful thing it is!)
        1. El Desfile (Parade)  6:24
        2. Interludio  4:26
        3. El Baile de Disfraces (Masquerade Ball)  7:29
   
  Also, see Sheet Music Page for sample scores of some of these selections.

Cover: Glenn Hardy, All Over the Dial

  BUT WAIT! There's MORE!  Be the first in your neighborhood to hear two cuts from the now (mercifully) out-of-print Glenn Hardy CD "All Over the Dial." This was his first (and so far, only)  attempt at  audio collage.  Poorly received,  even among  the cognoscenti to whom it was given, this stuff has languished in a box until now.  Take this opportunity to hear these original creations  before they find their way back into the box.

The first bonus selection is "delhi.com/Bombay Grill/excerpt from The Big Jam"  10:34

This is a collage consisting of a snippet from Mira Nair's film, "Monsoon Wedding," some restaurant conversation with Glenn and his wife, Maggie, and a portion of a live concert recording of Glenn Hardy on harpsichord, Russ Appleyard on sitar, Todd Barton on piano and analog synthesizers, and the audio "engineer" on feedback. This is from an improvised concert organized by composer Todd Barton in Ashland, Oregon, April 12, 1999 titled "My Favorite Things."

The second bonus selection is "MacDougal Street Part 2, The Big Motor"  15:11

This is a collage consisting of Glenn Hardy on pipe organ, harpsichord, and several pianos mixed with various vocal and choral excerpts.  Keyboard parts improvised at different times and places. Coffeehouse sounds and conversation somewhere on MacDougal Street, NYC, September 4, 2001.

                                                                                                     

  site updated May 5, 2008
   

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